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| Wild
Billy Childish
A glance at the merchandise table drops the hint that Wild Billy Childish isn't just another punk rocker. It's not many bands which have their main man's art on sale, and yet, among the vinyl and the T-shirts, it's possible to buy souvenirs of Billy Childish's other life as an artist and writer. Nothing if not a conceptualist, the on-stage set-up of his band is stripped to the essentials. The drum kit is not miked up, the guitar and bass play through backline only. There's a vocal PA, a splendidly vintage Shure Vocal Master rig, complete with cloth-covered speaker cabinets in groovy sixties grey. I know bands who would regard this limited technology with abject horror - indeed, they'd probably assert that it's impossible to play through such a minimal rig.
'Christmas 1979' relates Mr Childish senior's last words upon this earth, a bilious 'Merry fuckin' Christmas to you all', while in 'He's Making A Tape', bassist Nurse Julie takes the vocal role of a lovestruck teen, equal parts angst and adenoids, who finds her boyfriend making a mixtape for another girl. There's a nifty acapella rendition of 'John The Revelator' (I was, I confess, hoping to get the rather niftier full-band version - you can't beat that storming guitar part) and for a moment this North London boozer becomes a ramshackle tabernacle in the swamplands of Missisippi. Then the band brings back the noise, giving it the full freight train rattle and hum, and we're back in London, enveloped in the heady, overdriven sound of a sixties PA rig being pushed beyond normal operating temperature. Wild Billy Childish has this stuff in his blood, and in the space of tonight's set he's given us all a transfusion. May the sun never set on his empire.
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Home
|
About | Live
| CDs
/ Vinyl / Downloads | Interviews
| Photos
| Archive
| Links
Email | LiveJournal | MySpace | Last FM |
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Page credits: Revierw,
photos and construction by Michael Johnson. |
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