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Ton-up boys from the bad side of town, the Lords Of Altamont play messed-up biker psychedelia like it's going out of fashion. And, of course, you could argue that it has gone out of fashion: even today, when just about every musical style has come back for an encore, sixties influenced garage punk with a hog-on-the-highway attitude is probably the least hip thing with the kidz right now. But you know what? I don't think the Lords Of Altamont give a damn. They're having too much fun on their own crazed freeway of rock 'n' roll. Lords
Have Mercy is all revved-up riffs and squalling electric organ,
a sound that has its roots in sixties garage bands like the Standells
and the Count Five, but also drags in more than a little MC5 rampage
and Stooges strop. The production is artfully contrived lo-fi - the
drums lurking in the sonic murk, the vocals fighting their way through
the racket. I'm surprised the Lords didn't elect to record in mono.
But this band is more than just concept and contrivance. They've got
a for-real attitude and they're clearly keen to kick ye olde rock 'n'
roll around in the here and now, while also managing to sound so gloriously,
gleefully immersed in their world of life-in-the-fast-lane leather 'n'
low riders glamour that you just can't help leaping on the pillion.
Here they come in a cloud of dust, twisting the trottle to the max on
the mad rocker 'Cyclone' (the breakdown on this one, where the guitars
suddenly go all
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Home
|
About | Live
| CDs
/ Vinyl / Downloads
| Interviews
| Photos
| Archive
| Links
Email | Livejournal | Myspace | Last FM |
||
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Page credits: Review,
photo and construction by Uncle Nemesis. |
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